P.F. Sloan



Born Philip Gary Schlein exactly sixty-nine years ago today, September 18th 2014, P.F. Sloan was barely out of his teens when he had written (some co-written with Steve Barri) a number of top pop hits for the likes of The Turtles ("Let Me Be", "You Baby"); Herman's Hermits ("A Must to Avoid"); Barry McGuire ("Eve of Destruction"); Jan & Dean ("I Found a Girl"); The Fifth Dimension ("Another Day, Another Heartache"); The Searchers ("Take Me for What I'm Worth"); Johnny Rivers ("Secret Agent Man"), to name but a few.  On top of that, Sloan and Barri wrote and performed several Grass Roots songs - "Where Were You When I Needed You" among those - by themselves since an actual band called the Grass Roots didn't really exist at the time!
Then signed as a singer-songwriter type solo act to Lou Adler's Dunhill Records label in the mid-'60s, Sloan recorded a couple of fine Bob Dylan-inspired albums which went largely unnoticed at the time in spite of the wealth of top quality material contained there within.  The controversial "Sins of a Family" (1965) became a minor U.K. hit for him.

 

Around this time Sloan was first institutionalised for mental health issues and had started dabbling in hard-core drugs, to which he eventually became seriously addicted.  He lost the plot, so to speak...

Problems of contractual and financial nature (i.e. he wasn't getting paid and they wouldn't let him go) with Dunhill ensued.  Consequently Sloan entered his "Lost Weekend" - which lasted for nearly three decades.

To find out more about all this and more, one can pick up P.F. Sloan's new autobiography "What's Exactly the Matter With Me?" (With S.E. Feinberg, Jawbone Press, England, 2014) - it's well worth it.  A fascinating journey through a remarkable life.  Yes, it's bizarre at times and often you're not quite sure exactly what to believe.

In some aspects one can't help but to draw parallels between the lives of P.F. Sloan and Brian Wilson; two tremendously talented young men struggling to retain their sanity in a world diluted with fame, drugs and unscrupulous characters of questionable morals and integrity.  Both, inevitably, couldn't stand the heat and became victims of a notoriously inhumane industry.  But instead of being guided and helped in their times of trouble, they were just continually used and abused - even by those nearest and dearest to them.  What a shame, and what a bloody waste.  Thankfully though, scarred and burnt, both eventually made it back from the darkness and are at long last doing what they should have been doing all along - making music.

The Turtles recorded several Sloan (& Barri) tunes, among them the original version of what is arguably P.F. Sloan's best-known song, "Eve of Destruction".  However, "Is it Any Wonder" is a hidden gem.

 



 

And The Association recorded the positively gorgeous "On a Quiet Night", one of my favourite P.F. Sloan tunes back in 1967...

 



 

....And then in 1971 they took a crack at "P.F. Sloan", written by Sloan's old friend Jimmy Webb, reportedly without even knowing there was such a  person as "P.F. Sloan"!



 

P.F. Sloan, recommended listening:

 

P.F. Sloan/"Here's Where I Belong; The Best of the Dunhill Years, 1965 - 1967"  (CDWIKD 277, Big Beat/Ace Records, U.K., 2008)

 

Various Artists/"You Baby; Words and Music by P.F. Sloan and Steve Barri" (CDTOP 1264, Ace Records, U.K., 2010)

 

Recommended reading:

 

P.F. Sloan and S.E. Feinberg/"What's Exactly the Matter With Me?" (Jawbone Press, 2014)

 

 

Harry Nilsson - in memoriam.

Last month it was twenty years since the passing of one Harry Edward Nilsson - often referred to as simply Nilsson, a singer-songwriter extraordinaire.
Over the past couple of years a renewed interest in the man and his music has resulted in a feature length documentary, a book, as well as a boxed CD set containing his complete RCA catalogue.
Although most fondly remembered as an excellent songwriter, it is all the more ironic that Nilsson's greatest successes as a performer came with songs written by other people, namely Fred Neil's "Everybody's Talkin'" and Badfinger's "Without You".  A number of artists also covered Nilsson's songs and it is my intention with this little tribute to highlight the best of those...in no particular order.

One of Nilsson's earliest admirers in the mid '60s was producer Phil Spector, who placed at least three of Nilsson's songs with artists he produced - although said songs were to remain unissued for 25 years.  Here are a couple of those:



Brian Wilson also loved this song and recorded his own version for a Harry Nilsson tribute album issued shortly after Harry's death in the mid '90s.

 

The Monkees were also early Nilsson fans via their then-producer Chip Douglas who had been a member of the Modern Folk Quartet before joining the Turtles for a short stint.  These couple of songs also appeared on Nilsson's first two solo albums for RCA:

 

British girl singers Lulu and Sandie Shaw also seem to have been listening to the first two proper Nilsson albums since each of them covered songs from those albums.  Unfortunately Lulu's excellent cover of "Without Her" (Renamed "Without Him" for the obvious reasons) is not available on YouTube. 

 

 



And Three Dog Night had a monster hit with Nilsson's "One" in 1969.  Undervalued Motown chanteuse Chris Clark covered it later that same year.  Aimee Mann also did a passable cover in the '90s.

 





Originally written for Welsh songstress Mary Hopkin in 1968, '70s teen idol David Cassidy took "The Puppy Song" all the way to number one in the U.K. in 1973, as a double A-sided single coupled with "Daydreamer".  Cassidy, clearly a massive Nilsson fan, also covered "This Could Be the Night" a couple of years later, and "The Story of Rock & Roll" a year or two after that.

 

Even Sinéad O'Connor has tackled Nilsson.  Her fine cover of "The Lord Must Be in New York City" popped up on the "You've Got Mail" soundtrack, which was a lot better than the movie itself.

 



 

"The Story of Rock & Roll" was, apparently, first offered to The Monkees although The Turtles ended up recording it - undoubtedly thanks to Chip Douglas.  Harry is rumoured to have played piano on The Turtles' studio version.

 

 

 

The Ronettes, The Shangri-Las and The Supremes all recorded a version of Nilsson's Girl Group opus "Paradise".  I have a tremendous difficulty picking one version in favour of the other two.  However, The Supremes' 1972 Jimmy Webb-produced possesses a certain understated charm...

 



 

In spite of all of the excellence entered above, it is better to start the excursion into all things Nilsson with the original source.  And as previously mentioned there are currently avenues aplenty to begin the journey.  Enjoy it.

 

Recommended listening: "Nilsson: The RCA Albums Collection" (17 CD's) (Sony Music/RCA/Legacy, 2013)

 

Recommended reading: "Nilsson: The Life of a Singer-Songwriter" by Alyn Shipton (Oxford University Press, 2013)

 

Recommended viewing: "Who is Harry Nilsson (And Why is Everybody Talkin' About Him)?" (Lorber Films, 2006)  Directed by John Scheinfeld.  DVD issued in 2010.