Showing posts with label Ace Records. Show all posts
Showing posts with label Ace Records. Show all posts

Sunday, August 31, 2014

The Less Obvious List: Girl Groups

 
The Girl Group era produced some of the greatest and most enduring pop music ever.  No doubt about that.  "Will You Love Me Tomorrow", "The Leader of the Pack", "Be My Baby", "Tell Him", "The Loco-Motion", "It's My Party", I Only Want to be With You", "Da Doo Ron Ron", "Do Wah Diddy".  The list of classic pop songs in the genre is literally endless.  Nonetheless, in any era and genre, there always are a select few of the should've been kind.  And this here is my Girl Groups "Less Obvious" shortlist then. 
 
 
The Flirtations/"Nothing But a Heartache" (1968)  
 
Failed U.S. Girl Group The Flirtations emigrated to the U.K. in a desperate last ditch attempt at a commercial success.  And, after having met up with Scouse writing/production team Wayne Bickerton and Tony Waddington, formerly of the Pete Best Four and much later a successful songwriting duo behind the '70s success of The Rubettes, and brother-sister act Mac and Katie Kissoon, their "Sounds Like The Flirtations" LP was recorded and released to a lukewarm public response.  However, containing a classic of monumental portions in the single cut "Nothing But a Heartache", a semi-legendary status was assured...albeit 40 years later.  A soundtrack to a KFC TV advert in 2008 cemented just that.  Still, generally - in spite of that KFC thing, it's boggling just how little known this gem remains.
 

 
 
Beverley/"Happy New Year" (1966)
 
Beverley Kutner was an up-and-coming Brit songstress when she recorded this little ditty by then a little known U.S. songwriter named Randy Newman, backed by the likes of Jimmy Page and John Paul Jones.  Later on she married - and recorded with - John Martyn.  The stellar Brit-girl-pop of "Happy New Year" was the inaugural release on Decca's Deram subsidiary in 1966. 
 
 
 
 
Jackie DeShannon/"Backstreet Girl" (Officially unreleased demo, 1965)
 
 
The multi-talented Ms. DeShannon, along with her co-writer at the time Sharon Sheeley (Eddie Cochran's fiancée at the time of his death), wrote this for Carpax signee Diana Dawn, although, arguably, it is Jackie's original demo which remains the ultimate version...
 

 
 
Renarata & the Delrons/"Look in My Diary" (Recorded circa 1967/Released 1997) 
 
Probably best known in their native U.S. for the minor hit "Whenever a Teenager Cries" (1964), while in the U.K. they made the Top 20 in 1968 with "Captain of Your Ship".  All the while "Panic" (1968), as well as a seemingly tailor-made cover of the Four Seasons "Bye Bye Baby" (1965) should've hit big and hard, it is their inexplicably late release of "Look in My Diary" which is the winner in my book.
 

 
 
The Blossoms/"Stoney End" (1967)
 
Why The Blossoms never made it on their own is a mystery of gigantic proportions.  "That's When the Tears Start" (1965) should've made big waves, but instead it just made ripples.  The Blossoms had Darlene Love, and they had Gloria Jones.  At the same time!  But instead of hitting the big time on their own they "merely" sang back-up for the very best of them, from Elvis to Aretha, via Dionne, and Tom Jones.  And why their version of Laura Nyro's "Stoney End" is less well known than, say, Barbra Streisand's vast inferior interpretation, is the biggest mystery of them all. 
 

 
 
Madeline Bell/"Picture Me Gone" (1965)
 
U.S. born Madeline Bell arrived in the U.K. in the mid '60s and immediately became a sought-after backing vocalist for, most notably, Dusty Springfield.  It is, however, an enigma why her own solo recordings never found flavour with the record buying public since they invariably were of the highest quality.  One case in point is this Chip Taylor-penned and Dusty Springfield backed-up epic from her long playing solo debut, "Bell's a Poppin'".  Several years later though, Ms. Bell found long awaited and deserved fame with the "melting pot" of a group that was Blue Mink.
 

 
Recommended listening:
 
Reparata & the Delrons/"The Best of" (ACE CDCHD 1066) 2005 Ace Records.
Darlene Love and others/"So Much Love; The Darlene Love Anthology 1958 - 1998" (ACE CDCHD 1169)  2008 Ace Records.
Madeline Bell/"Bell's a Poppin'" (W/bonus tracks) (RPM 281)  2004 RPM Records.
The Flirtations/"Sounds Like The Flirtations" (W/bonus tracks) (RPM Retro 839)  2008 RPM Records.
Various Artists/"Break-A-Way; The Songs of Jackie DeShannon 1961 - 1967" (ACE CDCHD 1208)  2008 Ace Records.
Various Artists/"On Vine Street; The Early Songs of Randy Newman" ACE CDCHD 1186) 2008 Ace Records.

Sunday, October 7, 2012

Always Magic in the Air...

A few years ago I read Ken Emerson's amazing account of the Brill Buliding era, "Always Magic in the Air".  In fact, everyone even vaguely interested in the golden era (the early '60s) of American pop music should.  Furthermore, for every ill-informed idiot who claims there wasn't a whole lot going on Stateside until the almighty Beatles first crossed the Atlantic in '64, this should be a required reading.
Focusing on the masters of song, such as Leiber & Stoller, Goffin & King, Pomus & Shuman, Greenwich & Barry, Mann & Weil, Bacharach & David, and Sedaka & Greenfield, Emerson's tale was obviously an inspiration for the good folks at U.K.'s Ace Records, who launched their still-ongoing CD "Songwriter series" around the time the book was first published, in the mid-'00s.
Apart from the aforementioned songwriter teams, said series have also featured the early works of Neil Diamond and Phil Spector (separately, of course :-), plus career overviews of Boyce & Hart, Randy Newman, Sloan & Barri, Lee Hazlewood, Bert Berns, Chip Taylor, and Jackie DeShannon - to name but a few.
Of course every serious music enthusiast owns, for instance, Bobby Vee's big hit version of Goffin & King's "Take Good Care of My Baby".  But not everyone's aware of the fact that Dion recorded the original version of that little gem.  Well, Ace's compilers take both matters into account and include Dion's scarcely heard interpretation rather than Bobby's more familiar - and, frankly, better - one on their Vol. 2 collection of Goffin & King's compositions. 
There are numerous other similar examples of how these excellent Ace series both educate and entertain the listener. 
Digging for dusty obscurities ripe for (re)discovery is also something the Ace people obviously see as an often rewarding challenge.

 
Apart from the obvious highlights of the series (Goffin & King Vol. 1, Mann & Weil, Greenwich & Barry), personally I was also pleasantly surprised by the Sloan & Barri CD, as well as the Penn & Oldham, Jackie DeShannon, and Chip Taylor collections.  Previously something I thought were merely a few hit wonders, thanks to the Ace folks, I am now a proper fan.
Always magic in the air, indeed...
 

 
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